COMPLETE AUDIO FIELD PRODUCTION SERVICES

Covering Boston, MA., & New York, N.Y.

503-740-6775 (cell)

• Professional broadcast sound recordist for video, radio, or the web with 23 years of field experience available with full location production package

Providing complete location audio production service for single camera (film style) production for program formats such as news magazine, documentary, medical, music and youth culture, sports, educational,corporate/industrial, government training, information and orientation in both broadcast and non-broadcast markets. Offering remote mix to stereo and multichannel DAW sound service

PRODUCTION AND POST PACKAGE INCLUDES:

• ENG-44 / 4 channel ENG ac/dc mic in-out/line in-out stereo mixer with limiter / breakaway cable / Petrol shoulder bag
• Matched Pair of Audio Technica AT899 omni sub-miniature lavs
• AT 803-B omni Lavalier
• Sony ECM-55B omni Lavalier
• Pair Oktava MK012 condenser cardioid/hyper-cardioid
• Three Oktava MK319 Large condenser with shock mounts
• Pair AKG C1000S condenser cardiod/hyper-cardioid
• AT-835B line+gradient condenser Shotgun
• pair of Sennheiser Evolution E835 dynamic cardioid stick mics
• Pair of Sennheiser Evolution series wireless transmitter-recievers with Sennheiser lavs and plug-on transmitter
• 10 channel A/C portable board(4 mic ins/2 stereo channels)
• 4 channel headphone distribution amplifier
• 2 channel compressor/limiter/gate
• studio boom with pop filter
• Gitzo 4 section boom pole with Audio Technica shock mount
• C-stands with boom cradle
• Joe Meek VC3 mic pre / channel strip
• Pair of SplitCom mic/line splitters
• Clean box balancing transformer
• Cables / Full adapter kit
• Rock n' Roller All terrain with audio shelf
• Trip-Lite Power conditioner

BRAND NEW!!
Zoom/Samson H-4 hi-resolution miniature stereo digital audio flash recorder

About the size of a pocket still camera, this totally cool audio recorder features digital recording at resolutions as high as 24/96 in WAVE mode or 320 KBPS in MP3 mode, features balanced mic OR balanced line in, has built-in audio limiter, E to E monitoring, and records on inexpensive Secure Digital flash memory cards up to 2 GB. Perfect for recording wild sound, audio for web or radio, to add two extra channels on a video shoot, or for live mixdown to stereo of live music or speaking events.

Need Timecode stamping on those wave files???? Please inquire about the Tascam HD-P2 field flash recoders with timecode and video synch in capability.
Answering the call of remote recording engineers, the TASCAM HD-P2 Portable High-Definition Stereo Audio Recorder is the professional solution for challenging live and on-location applications. Co-developed with Frontier Design Group, it records at up to 192kHz/24-bit resolution to Compact Flash media, and its audio files are instantly available to DAWs through the built-in high-speed FireWire computer connection. Unlike consumer MP3 sketchpads, the professional HD-P2 incorporates high-end features like a SMPTE timecode input for synchronization to external devices while in record or playback. The user interface is designed for fast and intuitive use under stressful one-take-only situations, and its large, angled LCD is perfect for any application from over-the-shoulder location recording to concert recording and commercial use.
Built-in Synchronization - Because Being On Time Shouldn't Have To Be An Option TASCAM's HD-P2 comes standard with a full-featured timecode input - making it the most affordable recorder with built-in timecode ever made. Incoming LTC is connected to the locking XLR input for timestamping your Broascast WAVE files from a central clock. Not only does the recorder timestamp your recorded audio with sample accuracy, the HD-P2 chases incoming timecode during playback for review or loading into an editor. A video clock input allows frame edge resolve to a central blackburst source or use as a lock-and-release timecode slave. There's also a freewheel setting for use with unpredictable timecode sources. For maximum compatibility with the post production world, the HD-P2 supports pull-up and pull-down sample rates, even at high-resolution settings. The video clock input accepts tri-level sync for high-definition television production.

Also Available - Athlon 64-based portable editing system
with 8 in / 10 out firewire interface (8 mic-pre's with direct outs) will allow set up on location, in your office or anywhere in minutes, providing complete location multi-track recording and editorial services with performance equal to or exceeding that found in many desktop systems...please ask about system details.

For More information regarding services, rates and bookings contact:

Stephen A. Leone –Producer / Director
Video Camera– Lighting – Sound - Editing - Effects – Encoding - Authoring
503-740-6775 (cell)

steveleone@aol.com